Hideyki Ishibashi’s solo exhibition Présage/Connotations | amana art photo | Explore and Collect Japanese Photography

Hideyki Ishibashi’s solo exhibition Présage/Connotations

Multilayered images re-examine what it means to look

Aug 12, 2016
Text: amana art photo

Hideyuki Ishibashi is based in Lille, in northern France, and makes works by appropriating and collaging found photographs. He had his solo exhibition, “Présage” at BT Gallery in Tokyo in 2013 and IMA Photobooks published Présage, a book of the same works in 2015.

Reconstruct photographic fragments

Very active overseas, Ishibashi has shown “Présage” at Gallery Vol de Nuits in Marseille, also in 2015 and also exhibited his new series “Connotations” at UNSEEN in Amsterdam to great acclaim. 
In “Présage”, Ishibashi makes each piece by meticulously collaging together multiple fragments of old photographs and postcards purchased at flea markets. He reconstructs the photographic fragments, divorced from their original contexts, to create a world that is suspended between fantasy and reality.

©Hideyuki Ishibashi, Présage, 2014, courtesy of IMA gallery

Fictional portraits evoked by highly personal poems written by his friend

The finished pieces, in fact, are so carefully pieced together that at first glance it’s unapparent that they are composed of multiple images. At the same time, Ishibashi intentionally leaves dust and other matter that enter the pieces during their production to add depth to the works.
Ishibashi pushes the methods of appropriation and reconstruction used in “Présage” even further in his new series “Connotations”. The fictional portraits constituting the series are woven together from words that were evoked by highly personal poems written by his friend, a female American poet, based on her romantic relationships. Using images from the internet, Ishibashi collaged embodied images of fictional men.

©Hideyuki Ishibashi, Présage, 2014, courtesy of IMA gallery

Not only combining literature and photography, but also examining between photography and collective memory

Inspired by the use of keywords to categorize photographs on photo-sharing applications, Ishibashi used hashtags to find infinite quantities of images on the internet. By adding images resembling typical fashion advertising imagery to them, he transforms the words, which were products of personal experience, into a more socially oriented imaged. In this process, he not only combines literature and photography, but also examines the relation between photography and collective memory in contemporary society.
Contemporary society is flooded with an infinite number of images which are constantly and instantaneously consumed. By intentionally employing complex processes to produce single images in this social context, Ishibashi creates multilayered images that make their viewers re-examine what it means to “look.” In this exhibition, the original collages, which are the sources of the two series, will also be displayed to show the artist’s working process.
Exhibition Information
Exhibition title: Présage/Connotations
Dates: Friday 29 July 2016 – Saturday 24 September 2016
Site: IMA CONCEPT STORE
Time: 11:00 – 19:00
Closed: Sun, Mon, Holiday
*Summer Holiday Closing: August 11(Thu) to August 15(Mon), 2016.
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Hideyki Ishibashi’s solo exhibition Présage/Connotations / Multilayered images re-examine what it means to look
Posted on Aug 12, 2016